简介：该剧讲述了:夜晚，在床中间挡着帘子✔的罗米表述自己囍现在的小梦想就是✖找到自己的美好的家❄✒，她没想到自己的这样的♥表述，会吸引到华雨恩，而他竟然还夸✖赞自己漂亮。”和杨德昌☯的理念类似✖，当一个文艺工作者✆在追求纯粹的艺术受☱✃到困惑之后，他反而会行为失常，转而想去☷☢做政治家，《独☏立时代》说的就★是人们在绝对化地追☶☚求金钱、发展经济的道路上群体性迷失、☒困惑，每个人都带有夸♤张、失常的行为，一切♧皆有可能发生，☚☛从这一点来说，《独立时代☷√》是十分适合用喜剧形式来表达✎的。Scors웃♠ese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.详情